Thursday, November 12, 2009

Music in the Gallery

SUNDAY, NOVEMBER 22, 2009 4PM

“PASTORAL”


Claire Simard, soprano
David Veslocki, guitar
Annette Espada, cello


Join Conservatory faculty trio as they explore the music and songs of rustic and rural American countryside.
Tickets: $20 adults, $10 children and seniors. Tickets available at the door
For reservations and information: 914-395-4520 or email shanlon@concordia-ny.edu

The OSilas Gallery is located in the Donald A. Krenz Academic Center on the second level of Scheele Memorial Library on Concordia College’s Bronxville campus. Lectures, receptions, and films are free and open to public unless otherwise noted. No reservations required. Ample free parking is available.

Children in the Gallery: ARTyFACTS


 Artyfacts



Join us in the gallery to explore and learn about the Exhibition!
Followed by a hands-on art project in the Concordia studio inspired by the artwork.


 Ages 5-10

Saturday, November 14, 2009
3:30-5PM

Free


Children must be accompanied by an adult.
Reservations required: 914-395-4520 or email shanlon@concordia-ny.edu

Sharing the Sword: Mary & The Cross in Renaissance Art

On View from October 23, 2009 - April 10, 2010

Selected Renaissance paintings, drawings, and carvings from the Arnold and Seena Davis Collection that portray the Virgin Mary and Jesus together, including Madonna and Child, Holy Family, and Crucifixion scenes. The exhibition will compare the iconography of these selected Northern Renaissance works with one another and with works from the Italian Renaissance and Lutheran Reformation.

Curated by The Rev. Dr. Patrick James Bayens
Professor of Religion, Concordia College 

Tell 'em That It's Human Nature: An Exhibition of Outsider Art

“Tell ’em that it’s Human Nature: An Exhibition of Outsider Art”
On View October 29th - December 10th 2009


This exhibition pairs the art of Phillip March Jones and selected artist from the Latitudes Art Center in Lexington Kentucky with work by Mose Tolliver, Hawkins Bolden, and Charles Williams.
In addition to painting and shooting photographs, Phillip March Jones has devoted his time to Latitudes as a volunteer working with the artists in their studio program for adults with developmental disabilities and variously with other artists across Kentucky and rural Alabama. The group of artists in the show is organized around this one example of volunteering and social work as actions capable of unifying an expanding field of contemporary untrained artists. In a more basic sense the exhibition considers art as a way for very different people to relate.
The term ‘untrained’ describes artists from a range of economic backgrounds, abilities, all races, and both genders and becomes mysteriously foggy amidst such broad inclusion since the only actual shared qualification is the absence of academic art training. Which is not to say that these artists are uneducated, though some have had absolutely no schooling, simply that any institutional experience came from outside of the school of fine arts. Taxonomy aside, the human impulse to create remains interesting, poignant and essentially indescribable.
Under the leadership of Bruce Burris and Crystal Bader, Latitude has grown into a full-time studio arts program and a full-time community organization and advocacy group. The members of Latitude are all considered to have a disability, but that does not prevent them from being engaged citizens and aspiring artists. The unintended consequence of Latitude's commitment to its members and our larger community is that the rest of us are made aware of our own limitations, but more importantly, of our own strengths. Latitude's force of will is contagious and its creations beautiful.


 Curated by Blain Vandenburg, Independent Curator